Thursday, December 20, 2007

Letters to Ebay Twisted and Hilarious

Here's a quick review of a hilarious book I've been making my way through this Christmas break.

If you're looking for something weird, twisted, and hilarious to pass some down time, then pick up a copy of Art Farkas' (pen name of Central Valley eBay enthusiast and author Paul Meadors) Letters to eBay.

Amazon.com lists the book's key phrases as "happy bidding," "lint rollers," "deer jerky," and "depression glass" - fitting for this farcical, oftentimes obsessive, exploration of the virtual world of online consumerism.

Farkas' basis for the book is simple. According to his blog, he began "firing off crazy questions and seemingly far-fetched scenarios to eBay vendors concerning their items mixed in with a dose of TMI (too much information)." His crazy questions along with the oftentimes serious (and thus hilarious) replies from the vendors creates the core of this book.

Letters to eBay is one of those books that's just plain good to have around when there's a possibility of a few moments down time. The letters/answers are quick reads and can be taken in small doses. Farkas knows how to shape an incredibly ridiculous question with just enough detail and earnest tone to make it believable. And the unsuspecting vendors bite, responding here with good natured sincerity, there with exasperation. The questions - funny; the real-life responses - even funnier!

Keep this book around - it's worth a big laugh a day.


Tuesday, November 06, 2007

"Met" Minutes

Well, here we are, just after midterms, and still worrying away about the well being of Metamorphoses. Well, believe it or not, Met is indeed still alive and kicking, and is expected to be released (better late than never!) in December.
The fundraising went better than we ever expected it to, and thanks to all of the friends and supporters of Met, this issue will feature artists and writers from all over the world.
Despite an abundance of complications and delays, this is proving to be the best issue of Met that we could hope for!
Our publication this year will be a little bit edgy, featuring collages from an amazing artist in London, as well as some very thought-provoking work from the Cerro Coso student in Ridgcrest chosen to be featured on the cover. Our literature choices include a few pieces by the imfamous Sterling Warner, and Bakersfield's own Melinda Carroll as well. There are some really amazing writers, artists, poets, students, teachers, and dreamers being featured in this years Met.

Saturday, November 03, 2007

INDEPENDENCE DAY SUPPER, FIREWORKS AND HIGHWAYMEN part 4 by Leo F. Kohl

I now present to you the final installment of Leo F. Kohl's INDEPENDENCE DAY SUPPER, FIREWORKS AND HIGHWAYMEN.


Marty and Francois rose at dawn the next morning, while Louisa prepared them a brief breakfast and coffee, which they ate hurriedly, then went out to meet with the picking crew, which had gathered outside the main entrance to the winery. Francois, accompanied by Marty
and the members of the picking crew, walked out to the first block of grapes Francois desired to be picked first; these were the Dr Chaunac variety and the sugar content was at a high enough
level to be harvested.

“The grapes in this block should take from several days to a week to harvest and be
crushed,” Francois told Marty. “When they are through with this block, start the crew in harvesting the largest block; the ‘Catawba’ grapes!”

“Will do!” Marty replied, then asked, “When’s the winery crew due to arrive?”

“Anytime, now!” Francois answered. “Have them get the steam up in the boilers and the rollers started, so when the first vineyard wagons pull up to the hopper, they can be unloaded and the grapes started to be crushed!”

Everything proceeded smoothly until late in the morning. The winery crew had crushed the first load of De Chaunac grapes, and was ready to start on the next, when Sheriff O’Leery
and three Deputies came by the winery and were met by Francois and Marty. After shaking
hands all around, and following introductions of the Deputies to the two men, O’Leery shook his head incredulously as he exclaimed to Marty, “Don’t know how you did it, Allhoff, but you were right on the mark as to that being their hide-out!”

Marty replied, “Remember Tim! I was trained by one o’ the top Plainsman there are, Jack Lord!”

“And in that regard, you’re right on the mark as well!” O’Leery exclaimed, then went on to describe what had occurred. “We went to r Longworth’s Winery first, and he was completely bowled over when I described last night’s happenings to him! He asked me how you managed through all that happened, Francois?”

Francois replied, “Like myself, mon ami, he too, is not accustomed to violence happening so close to one’s person!”

O’Leery continued, “Anyway, we checked out the premises and found no one around or near the place. It was totally deserted! Had the warrant, but in the long run, it wasn’t needed. Searched the house an’ barn thoroughly an’ found a considerable amount o’ valuables stolen by the two in previous robberies! For a while, there, guess they had a picnic! Anyway, the folks who
had reported being robbed by the pair, will be asked to identify the bodies, and claim their property, if it’s still available and in our keeping! Have to inform the newspapers ‘bout what had happened, but as much as I can, I will not divulge your names, nor how either of you became involved!”

With a grim expression on his face, Marty told O’Leery, “Francois, I know, would very much appreciate not being involved from a local business standpoint, an’ I had enough o’ news- papers after what had happened this past Halloween!”

When O’Leery and his three deputies departed the winery, Francois and Marty continued to work with the harvest crew.

Marty had written down all the various steps and procedures he had been required to learn and carry out under Francois’ tutelage. When all that had been completed, Francois exclaimed to both of them shortly after the harvest season had ended, “All you need to know now is the bottling and tasting techniques to ensure you have developed the best vintage you can.
Over the next few weeks, I will teach you how to sample wine, determine the proper sugar content and select those casks that will be ready for bottling!”

True to his word, Francois had Marty sampling the wine, determining the sugar content in other wine vintages and learning the proper techniques required in the bottling and corking of wines. By mid-September, Marty had completed all the training that Francois could put him through, and according to Francois’ very high standards, he was considered to be an accompli- shed vintner.

About a week before Marty and Louisa were to leave Francois’ winery, Sheriff Tim
O’Leery and two of his deputies showed up at the winery and Francois asked them what they had on their minds.

“Not much!” O’Leery answered. “Heard a rumor in town that Marty an’ his wife’re gon-na be leavin’! That true?” he asked Francois.

Francois replied, “Mais oui! Yes, that is true! They will be leaving me in about a week, and head for Oakwood to be with their families for two weeks, then travel back to California, where Marty hopes to start a vineyard and winery in Coloma, where, from what he has told me, he has already purchased the land!”

At that moment, Marty and Louisa stepped out of the winery, saw O’Leery and his deputies and waved at them. When the couple approached closer to them, O’Leery commented to them, “Heard you’d be leavin’ soon, so wanted to confirm it with you! That right?”

Marty answered, “Right as rain, Tim! Headin’ home to be with our families for a couple
o’ weeks, then it’s off to California for us!”

O’Leery asked them, “How you gettin’ there?”

“Same way my brother an’ I came home!” Marty exclaimed. “On a special Wells, Fargo wagon train that carries supplies to various forts an’ outposts along the Oregon an’ California trails! In fact, our wagon train’s waitin fer us in East St. Louis!”

“That so?” O’Leery responded. “We’ll sure miss you ‘round here! Anyways, have a safe journey an’ say hello to Jack Lord for me, will you?”

“Marty replied, “Sure will! That is, if and when I get to see him!”

At that moment, Francois told O’Leery, “Mon amis, my many thanks for letting Marty in on those two road agents he shot recently, as well as keeping us out of any adverse publicity in
the local newspapers! On behalf of Pinaud’s Winery, allow me to present you with a bottle of champagne to show my thanks and gratitude!” From a case of champagne just inside the winery door, Francois removed a bottle of champagne and presented it to O’Leery. Turning, he asked the two deputies, “You like champagne?” Both men responded with a loud “Yes!!” So, Francois gave both deputies a bottle of champagne. All three thanked Francois for the champagne and shook his hand to show they were grateful. Then O’Leery shook Marty’s hand and bade he and
Louisa goodbye, and lots of luck!

In a few days, they left the winery and Francois drove them to the Railroad Depot in the Winery Carriage and Porters placed their trunks and luggage in the loading area reserved for Springfield. Marty had already purchased tickets on the stagecoach from Springfield to Oak- wood. He presented the train tickets to the Ticketmaster, who saw all was in order. The train came chugging into the station, wheezed and came to a stop in a cloud of steam, as they bade their host and employer the past five months, a very fond goodbye and wished him the very best in his winery operation.

Francois exclaimed to them, “Au revoir, mon amis! Goodby, my friends! I will miss you both! Maybe someday, I might be able to come out to California to see how you have prospered in your own grape production endeavors! Anyway, Au revoir! I wish you all the best in the
world, my friends! Marty, thank you for bing such an adept and knowing apprentice! Goodbye!”
Francois called out to them as the “All Aboard!” was shouted by all the conductors.

“Goodbye, Francois!” they called out to him as they hurried to their railroad car.
“Goodbye and good luck!”

The conductor helped Louisa up the steps, as Marty stepped on board and waved
goodbye to Francois upon entering the railroad car. The conductor escorted them to their seats, and they were no sooner seated, than the car lurched forward and they were underway back home to their families and Oakwood.

REFERENCE SOURCES.
1. McCabe, James D., Jr. “GREAT FORTUNES AND HOW THEY WERE MADE.” 1872. San
Francisco, CA, B. Hannaford & Company.

Sunday, October 21, 2007

INDEPENDENCE DAY SUPPER, FIREWORKS AND HIGHWAYMEN part 3 by Leo F. Kohl

I now present to you INDEPENDENCE DAY SUPPER, FIREWORKS AND HIGHWAYMEN part 3 by Leo F. Kohl with no commercial interruptions.


Once they left Longworth’s Winery, Francois allowed the horses to proceed at a slow canter, since it was night and he was not sure of the directions he should take. At his side, Marty, who had alertly watched the direction they traveled on the way to Longworth’s, told Francois to turn on certain roads until they were out on what appeared to be the main road headed toward their winery. They had not been on that road ten minutes, when Marty suddenly cocked his head to the side, looked behind them, and said to Francois, “We’re bein’ followed! Two men on horses an’ travelin’ at full gallop!” With that casual remark, Marty removed his pistol from its
holster and held it in his right had against the metal grillwork siding of the driver’s seat. Marty
told Francois to continue on at the slow pace they had been traveling.

In less than five minutes, the horses caught up with the carriage, and the riders slowed their pace and looked over each of them as they slowly passed on both sides of the carriage and , stopped, then turned and faced the team of horses. The big, brawny one of the two men dis- mounted and Marty noted that he drew his pistol from its holster, as it flashed dully in the light from the almost-full moon. Holding his pistol so it could not be seen by the folks on the carriage, the man approached, then loudly called out, “Halt! Stand and deliver! Now, Allhoff, you’re gonna get yours for killin’ my friends out in California!”

Fully alerted, Marty saw the man start to slowly raise his pistol, when Marty suddenly aimed and fired at the man and hit him dead center in the heart! The man grunted loudly,
“Uh-h-h-h!” Then he fell forward with his arms outstretched as his pistol fell to the ground from
his now dead fingers.

Confused and frightened by the shot, the other man’s horse reared up and made it impossible for the second man to draw his pistol. Marty pushed Francois flat on the seat, and softly said to him, “Good! Stay there ‘til I tell you to get up!”

Marty waited cooly until the horse’s front hooves hit the ground, then aimed and fired a
second shot. The ball found its mark just above the left eyebrow, as it entered the man’s fore- head. When that happened, the man let out the most horrible scream Marty had ever heard. The second shot frightened the horse once again, as it reared up and dislodged the now dead rider from his saddle and he tumbled face down in the road and blood from his wound seeped into the ground.

As soon as he fired his second shot, Marty jumped down from the carriage, grabbed the reins of the frightened horse and led it to the rear of the carriage, where he tied it securely to a ring that was there for that purpose. Then he went back to where the tall, thin road agent lay, and removed his pistol from its holster and jammed it into his waistband.

Then he went to the front of Francois’ team of horses to do the same thing with the other horse, and stopped briefly to check on the other road agent sprawled out on the road. He reached down and picked up the dead man’s revolver, then stuck it in his jacket pocket. He led the other horse to the back of the carriage and tied it to another set of rings, then called out to Francois, “Francois! Could you please come down here an’ give me a hand loading these two dead bodies on their horses? Oh! An’ do you have any rope in the carriage’s boot to use to tie ‘em down? I promised Sheriff O’Leery I’d bring him the bodies if I could!”

Francois, somewhat traumatized by the incident, climbed slowly down from the carriage,
went to its boot in the rear and came back to Marty with a coil of rope, as he exclaimed, “Sacre bleu! Tres mal! Tres mal!” Then the two of them struggled to get the larger of the two men
across the saddle and properly tied down so the body would not fall off in transit. The tall, thin man was much easier to handle, load onto his horse and tie him down.

Francois, a horrified expression on his face, exclaimed to Marty, “Mon Dieu, mon amis!
My God, my friend! You mean to tell me you shot five men out in California? For what reason?”

Marty answered, “To stay alive! You have to shoot first and ask questions later! Jus’ like
this big man here! He had his pistol drawn an’ was ready to fire, when I shot him first! If the other one could have gotten to his pistol, I’m sure he’d have taken a shot at me! Lucky for me he had a spooky horse! Now that we’ve got the bodies loaded, le’s head fer the Sheriff’s office in Cincinnati! Wanna see the expression on O’Leery’s face when we bring the two in to him!”

As they were climbing back to the driver’s seat, Marty asked Louisa, “You all right?”

“Still shaking a little! But now that I see you are all right, everything is much brighter!” she replied, then asked her husband, “Where are we going now? Back to the winery?”

“Nope!” Marty replied. “We’re takin’ the bodies to the Sheriff’s office! Told O’Leery I
would! Like I jus’ told Francois, wanna see the look on his face ! Know he didn’t believe me!”

Francois turned the carriage around and headed back in the direction of Cincinnati, which took them almost an hour. At that time of night, there was almost no traffic, and when they pulled up in front of the Sheriff’s office, pandemonium erupted! Half a dozen deputies accompanied Sheriff O’Leery to Francois’ carriage, as Marty jumped down and confronted the Sheriff. “There you are, Tim! All tied up an’ waitin’ for the Coroner! Correct me if I’m wrong, but the big one’s Steve Bearess, an the tall, thin one’s Ron Rotzinger! Right?”

O’Leery replied, “Right as rain! But how the hell did you do it? An’ don’t tell me a little bird tol’ you!”

“Well, almost! ‘Member I told you my brother, John, an’ I were scouts for Jack Lord’s
wagon train we traveled in goin’ ‘cross country to California. Learned how to use my senses, an’ tonight, it paid off! Ever been out to Longworth’s winery?”

“Yeah!” O’Leery replied. “A few times! Why?”

Marty asked him, “Member seein’ a round hill covered with trees to the left o’ the drive into the winery? Think that’s where these two were holed up! ‘Pears there might be a house on the other side o’ that round hill, ‘cause I saw two pairs o’ legs on the other side o’ the trees, but the trees blocked the view of the upper parts o’ the bodies. Suggest you obtain a warrant n’ go check it out!”

“Are you sure?” O’Leery asked him.

Marty replied, “Absolutely! When you an’ your Deputies’ve checked it all out, come by
Pianud’s Winery an’ let us know what you’ve found!”

O’Leery turned to Francois and asked him how he felt.

“Mon ami! My friend! Everything happened so fast, were it not for Marty, here, and I was alone, I might be lying by the side of the road, dead! I was not aware you knew each other out in California, nor that Marty had killed five men while he was out there!”

Then one of the Deputies who was standing beside O’Leery asked Marty, “Are you the same Allhoff who shot those four thugs on Halloween over in Oakwood, an’ killed their leader?”

“Yep! I’m one an’ the same!” Marty replied. “Constable overheard ‘em makin’ plans to waylay me an’ work me over! Unbeknownst to the rest o’ them, their leader planned to kill me!
Jury voted unanimously that I was ‘Not Guilty’ by reason o’ self-defense. The three thugs were
declared ‘Guilty’ an’re still in Ohio State Prison!”

Then Marty commented, “It’s after midnight, an’ tomorrow we start the summer grape harvest, so we better get back to the winery, don’t you think, Francois?”

Before Francois could respond, O’Leery said to both of them, “We’ll follow up on the information you just gave us, an’ we’ll drop by the winery a’ let you know what we found. Sound all right to you?”

“Fine with us! Right, Francois?” Marty asked his employer.

“Tres bien! Very good!” Francois responded, “Just keep us out of any adverse publicity!”

O’Leery replied, “Will do the best I can, but you know these newspapers! They make everything worse than what they really are, and actually lie about it to get a good story out of it!
Yellow Journalism! Phooey! See you sometime tomorrow!”

Francois turned the carriage around, and in an hour, were back at Pinaud’s Winery, where all three sought sleep as soon as possible.


Come back in two weeks to find out what happens to Marty and Francois next!

Saturday, October 06, 2007

INDEPENDENCE DAY SUPPER, FIREWORKS AND HIGHWAYMEN part 2 by Leo F. Kohl

Sorry for the delay folks. I know I said to come back in a week and it has been two weeks, but the author and I had a little palaver and we decided that maybe two weeks between sets would be better. Now without further ado I present to the world INDEPENDENCE DAY SUPPER, FIREWORKS AND HIGHWAYMEN part 2 by Leo F. Kohl.


They continued down the Winery Drive, until they were met by two gentlemen dressed in “Livery” costumes, who asked them where they were going. Francois replied, “To Nicholas Longworth’s July Fourth Party! I am Francois Pinaud, the owner of Pinaud’s winery on the other side of Cincinnati!”

“Yes, sir!” One of the men in livery responded. “You are on the list! Are the other two part of your operation?”


“Yes!” Francois answered somewhat gruffly, “but why all the questions? This is my apprentice foreman, and inside the coach is his wife! But why are we being so questioned? We are invited guests!”

At that moment, a rather slight man, about 5-foot, 8-inches tall, with bushy, white side-burns and twinkling, bright green eyes, came down the road and said to the two men in Livery, “That’s all right Karl! Stan! This is Mister Pinaud and his entourage! Let them in!”

“Yes, sir! Mister Longworth!” both men said in unison, then saluted the gentleman who had let them enter the winery.

Before Francois signaled the horses to move, Mister Longworth climbed up on the driver’s seat, as Marty made room for him to the outside. Longworth reached over and took Francois’ hand and said, “Welcome to Longworth’s Winery, Monsieur Pinaud!” He looked at Marty and asked,

“And who do I have the pleasure of addressing?”

“Marty Alhoff, sir! Glad to meet you, sir!” Marty answered. “And that’s my wife, Louisa,
back there in the coach!”


“Welcome all three of you to Longworth’s Vineyards and Winery. Sorry for the question and answer session back there, but since you are here, I had to make sure it was you, Francois, and not one of the riff-raff that have suddenly sprung up here in Cincinnati! Sheriff O’Leery has warned me against a pair of road agents that have been operating in our area at night on week- ends and specifically, a Holiday such as today!”

Francois then told Longworth, “There are two cases of different wines in the coaches’ boot. Would you be so kind as to have one of your attendants unload them, as they are our gift to
your party?


“Certainly!” Longworth replied, then asked Francois, “May I ask the names of the vintages you have brought us?”

Oui! Certainement! Yes! Certainly!” Francois answered. “The first vintage is called ‘Marechal Foch,’ and being an early season fruit, is the first of the grapes we crush and make the wine. These we have brought you are from last year’s crop! The other is a wine named ‘Clarice,’ after my dear wife, who passed away in France. It is a sweet wine of my own fashion- ing! I do hope you will like both! Salud!”

“Why, thank you so very much, Monsieur Pinaud!” Longworth exclaimed , as a big smilelit up his face. “We’ll serve it to our guests and announce from whence it came! If you do not mind, we’ll let our guests pass judgement on your offerings!”

“That would be fine with me!” Francois replied, then added, “and please, call me Francois! I feel better when I can speak with people on a first-name basis! It feels more friendly under those conditions! Conpris? Do you understand?”

Longworth replied haltingly in French, “Je suis compris! I understand!”


With that, Francois asked Longworth, “Parlez vous Francais?”


To which, Longworth laughingly replied, “Un tres petit! A very little! Only a very little!
When I was studying to become a lawyer, I had to learn French, but not enough to carry on a full conversation, I’m afraid!”


“That is all right!” Francois replied. “We always have English in which to converse! Ne
c’est pas? Isn’t that right?”


Longworth chuckled and replied, “You are right! So very right!”


“Oh! I almost forgot!” Francois exclaimed. “Herman Lister, one of my leading Vinegres, asked me to extend to you his warmest regards!”

Longworth replied, a wistful expression on his face, “Please return the favor to Herman!
He was one of the best workers I had working for me in my winery and vineyard! You are so lucky to have such a fine individual working for you!”


To which, Francois replied, “You are right! You are so very right!“

Excellent! Excellent!” Longworth replied. “Return my best to Herman when next you see him, please!”

Longworth then personally introduced Francois, Marty and Louisa to his assembled guests. No sooner had introductions been completed, than the Chef announced that supper was ready. The Chef was one of the foremost in Cincinnati, and had prepared a feast of steak barbequed on grills over coals from oak wood, along with various side dishes. The guests sat at tables strategically placed in the open area, with umbrellas which provided shade from the glare of the late afternoon sun. Longworth sat with Francois, Marty, and Louisa so he could have the opportunity of getting to know them a little better and find out more concerning their personal backgrounds. He became very excited when he learned that Marty had mined for gold in California, and even more so, when he was told by Francois that Marty and Louisa planned to leave for California sometime in September and establish a winery in the region in which Marty had mined for gold. It was then that supper was served to the guests and the area became quiet as the assembled guests consumed the delicious meal.

As dusk began to fall, and night was soon to be upon them, Longworth stood up and an- nounced to all his guests that they would be treated to a display of fireworks never before seen in the Cincinnati area, and hoped everyone would enjoy what they were about to witness. When the last glimpse of daylight had disappeared, everyone heard a loud “Whump!” from an open area some hundred yards from where they sat, as the darkness was split by various colored lights that burst, then burst again to make the entire party area light up as though it were instant daytime! Everyone in attendance applauded the opening fireworks display, then “Whump!” “Whump!” “Whump!” a whole series of bursting and cascading lights lit up the area, and for the next half-hour to forty-five minutes, different pyrotechnic displays drew “O-h-h-hs” and A-h-h-h’s” from the assembled guests, who were absolutely enchanted with the beautiful displays provided to them.

Soon, the fireworks display was over, and under some kerosene lamps provided by several attendants, Longworth served his guests the first of Francois’ wines, Marechal Foch, and asked each to properly taste the wine and judge its qualities. If they signify with a “One,” it means the wine was excellent! A “Two,” conveyed that it was good, but not great! A “Three,” signified that the wine was of poor quality! Longworth then introduced Francois to the guests, and indicated to them that it was he who had provided the wine for the final program of the evening. Francois stood up and thanked everyone for sampling and judging his wine, as he chuckled loudly when he told the assembled group he hoped to receive no “Three’s!”

It took about fifteen minutes for the group to properly taste the wine, then Longworth called out to them, “Are there any ‘Three’s?’” No one in attendance raised their hand! “Seems we’re off to a good start, so far!” Longworth commented. Then he called out to the group, “Are there any ‘Two’s?’” Four people raised their hands. “Maybe you better have your taste-buds checked by your doctor!” Longworth replied laughingly. “Now! For the down and dirty count!

Are there any ‘One’s?’” Forty-six people raised their hands, as Longworth exulted, “Fantastic!”
Francois beamed at the results of the tasting, and these folks, all wine lovers, proved his wine to be among the best!


The same procedure continued with Clarice, and the results were a little better; no “Threes,” only three “Two’s” and forty-seven “One’s” Everyone at the Supper Party liked the products from Pinaud’s Winery, and many asked where he was located, so they could visit, and perhaps, purchase some of the wines in his inventory.

The very pleasant evening ended with the wine-tasting and everyone stood up and prepared to depart Longworth’s Winery. Everyone who was in attendance told Longworth how much they enjoyed the dinner and especially the fireworks displays; then thanked him for inviting them. There were quite a few who came up to Francois and thanked him for providing the wine for all to taste. As the carriages and surreys were being brought up by Longworth’s attendants, Marty informed Francois concerning having seen the two pairs of legs on the other side of the hill, and noted to him that his “Scout’s Senses” were coming through in that regard and they have never failed him since the trek across country back in ‘49.


Marty told Francois, “Hope they’re wrong, for all o’ us concerned! But whatever happens out on the road, please do as I ask you to! I have a feeling we’re being singled out! In particular, myself, for having killed some o’ the friends o’ one o’ the Road Agents out in California!”

Marty turned to Louisa and told her what he had seen and what to expect. At first, she was incredulous, but soon came to the realization that Marty was extremely serious in this matter, so she told herself she would do whatever her husband wished her to do.

The two liveried attendants, Karl and Stan, brought Francois’ carriage up to them, then
helped Louisa into the carriage as Mister Longworth bade them all a “Goodnight!” Before they left, Longworth asked Francois if he might visit his winery sometime and note how his operations were conducted. Francois told him he could visit any time he wished, but he hoped it would be soon, since the summer harvest would soon be upon them and he and Marty would be extremely busy. Longworth told him he understood and would let him know as soon as he could.
Then Francois and Marty mounted to the drivers’ seat, and Francois cracked his whip as the four-horse team walked slowly up the drive past the tree-covered knoll, now enveloped in the blackness of night.

On the other side of the tree-covered slope, now cloaked in the night’s darkness, another,
yet more serious scene was unfolding. Two men, one tall and slender, the other heavy, tall and with broad shoulders, stood on the porch of a house that was set back into the hill, while both men discussed what actions to take concerning robbery and other potential mayhem. The large, heavy man with the broad shoulders told the tall, skinny one,”If we don’t move soon, that carriage’ll be beyond where I, for one, care to go ‘cause O’Leery has his deputies scouring the roads; an’ he knows me from when I was out in California! Besides, I’m positive that the feller with the black beard is Allhoff, an’ I have a score to settle with him fer killin some o’ my friends out in California!”


The tall, skinny one said to his companion, “Whatever you say, Steve! If we’re gonna carry this off tonight, we better get saddled up an’ get a move on!”

The larger man, Steve Bearess, told the slim young man, Ron Rotzinger, “All right, then,
le’s get the horses saddled! We might have to gallop ‘em fer a while to catch up, but that should- n’t take too long!”


Both men went to the stable where their horses were in two of the ten stalls that lined the walls of the barn. The property had once been owned by Rotzinger’s parents, and when they died, it was passed on to him; this was where the two “Highwaymen” were “Holed-Up,” since the house was not visible from the main-traveled roads. Both men quickly saddled their horses, then rode swiftly from the large barn. They galloped at a fast pace down a little-used drive until they reached the main road, upon which they turned left and galloped rapidly until, way up ahead of them, outlined in the bright moonlight, was the carriage they sought.

Come back in two weeks to find out what happens next!

Friday, September 21, 2007

INDEPENDENCE DAY SUPPER, FIREWORKS AND HIGHWAYMEN part 1 by Leo F. Kohl

The following is a short story by KVR CCCC biology professor Leo F. Kohl. The story was a bit long for our printed publication, so the Metamorphoses editorial staff concluded that this piece must be serialized here on the Met blog. Now without further ado I present to the world INDEPENDENCE DAY SUPPER, FIREWORKS AND HIGHWAYMEN part 1 by Leo F. Kohl.


PROLOGUE:
Marty Allhoff and Louisa Weaver were married on the first Saturday of May, 1852 in the Emmanuel Lutheran Church in Dayton, Ohio and Honeymooned in Cincinnati, where Marty was to be apprenticed to Francois Pinaud, a local wine producer who had been a friend of his father’s in Germany. Through the Maitre’d at the Amherst Hotel, the leading Hotel at that time in Cincinnati, Marty and Louisa were able to meet Francois and learn the route to and from Francois’ winery. Louisa visited the local “Apothecarist” in Cincinnati to purchase proper contraceptives and thus escape becoming pregnant. Louisa remembered what her Papa had told her before her Mama had died; that he and Mama were married in 1835 and she was born in 1837. Louisa and Marty agreed they would wait a few years before having children. As a result, each night before she and Marty made love, she carefully followed the Druggist’s directions. From then on, she carefully followed the contraceptive methods that had been prescribed and was able to forestall problems with pregnancy.

In the meantime, while Louisa was at the Apothecarist, Marty decided he wanted to have his revolver registered with the local sheriff’s office, which, upon inquiry, he found out was only a few blocks down the street from the Hotel. He walked down the street to the building that had been described to him and saw it was the local Sheriff’s Office, since the sign over the main entrance to the building stated:

HAMILTON COUNTY SHERIFF’S OFFICE CINCINNATI MAIN OFFICE

The moment he entered the office, he was greeted by a clean-shaven man dressed in a khaki uniform, who called out to him, “Well! If it ain’t Marty Allhoff! What brings you to this office?”

The uniformed man looked vaguely familiar to him, so he said to the man, “Apparently you know me, sir, but who’re you?”

“Thought you wouldn’t recognize me!” the man answered. “But maybe you’ll remember my name from back in Coloma when you shot them two horse thieves - one you killed an’ the other one you wounded! Vigilantes strung that one up an hour later! Name’s Tim, Tim O’Leery, who sometimes took your friend, Jack Lord’s place when he was called out on official duty! Was one o’ the Vigilantes who worked with Cap’n Shannon, the Alcalde, or Mayor of Coloma. Do you remember?”

“Well, I’ll be go to the devil!” Marty exclaimed as recognition began to set in. “Never would o’ recognized you without your beard! What brings you to Cincinnati?”

“Might ask you the same question, Allhoff?” O’Leery inquired, “How come you’ve come by the Sheriff’s Office? Most folks avoid us like the plague!”

“On my honeymoon!” Marty replied. “Wife’s out shoppin’, so thought I’d swing by the Sheriff’s office an’ register my revolver, in case I should ever need it!” Then he asked O’Leery, “When did you leave Coloma, an’ how’d you travel to Cincinnati?”

“You came to the right place, Allhoff!” O’Leery answered. “An’ with some o’ the problems that’ve jus’ started comin’up, you jus’ might need that pistol! You got it with you?”

“Right here!” Marty replied, as he opened his coat, removed his pistol from its holster, and handed it butt first to O’Leery. Then he asked him again, “When did you leave Coloma?”

“Bout the midddle o’ September, 1851! Traveled by sailin’ ship down the coast to the Isthmus o’ Panama, crossed it in three days with no hassles, caught a steamer in Colon to New Orleans, up the Mississippi to Davenport, Iowa, then by stagecoach to Toledo, Ohio, by a lake steamer to Cleveland, and finally by train to Cincinnati! All told, it took about six weeks to get here!” O’Leery added, “Oh! An’ congratulations on gettin’ married! When did that happen?"

“Last Saturday!” Marty replied. “You gonna register my pistol? An’ what do you mean I
might need it? What kinda problems would you have here in Ohio? Certainly nothin’ like we had out in California, are they?”

“Close to it!” O’Leery replied. “Remember the Dick Bell Gang out in California? Well, one o’ them was a member o’ that gang, has come here to the Cincinnati area an’ has teamed up with one o’ our local fellas. The two o’ ‘em have been holdin’ up carriages an’ robbin’ folks, jus’ like some members o’ the Bell gang used to do out in California before law an’ order got started. Anyways, they operate on the main roads at night, mostly durin’ the weekends an’ on holidays. As the sheriff o’ this County, I’ve sent deputies all over the County out from Cincinnati to try an’ catch ‘em, but to no avail!”

With awe evident in his voice, Marty asked O’Leery, “You’re the Sheriff?”

“Yep!” O’Leery replied. “No sooner got here than an election was takin’ place for a sheriff. Filed jus’ in time to throw my hat in the ring, an’ based on my experience as a policeman in New York, an’ some o’ the law enforcement work I was involved with in California, I was elected to be the County Sheriff!”

Marty asked O’Leery, “How do this pair o’ road agents work? My brother John an’ me had some experience with road agents on the way home, but we were informed who the gang members were an’ we were ready for ‘em!

“That so?” O’Leery asked, “But as to how these scoundrels work, we only know from the descriptions given us by the victims o’ their robberies. We’ve got the two men’s names, but elusive as they are, we haven’t been able to nab ‘em yet! With the big holiday, July 4th comin’ up, we’re hopin’ they’ll screw up somehow an’ we’ll be able to catch ‘em!”
Marty told O’Leery, “Thanks for the tip, an’ for your description o’ how these bozos operate! We’ll be on the lookout for ‘em if we’re ever out at night! Now, how’s ‘bout registerin’ my revolver so I can legally carry it here in your jurisdiction? Oh! An’ what are the two mens’ names?”

O’Leery took Marty’s proffered revolver, and started to register it, as he said to him, “The big fella, who was out in California has blonde hair, is clean-shaven an’ goes by the name o’ Steve Bearess. The other thin one, who wears a black mustache an’ chin whiskers, goes by the name o’ Ron Rotzinger! If you come across either one, be armed an’ ready to shoot! Knowin’ your past history out in California, an’ from what Jack Lord had told me, I’m quite sure you can handle yourself! If there’s any confrontation an’ you kill the two bastards, bring their bodies to me for verification, all right, Marty?”

Marty asked the Sheriff, “Seems like you think I might be o’ some help in catchin’ these two scoundrels, right Tim?”
O’Leery replied, “Bein’ out there at Pinaud’s Winery, an’ travelin’ ‘round out in the countryside, makes you a more potential victim for these two robbers! Besides, I’ve heard rumors out in California that Bearess has a grudge against you for killin’ some o’ his friends out there, so, knowin’ you from past history, you’ll be better able to carry it out than all my deputies an’ I’re able! Here! Carry this with you at all times while you’re wearin’ your gun an’ holster!”
he told Marty as he handed him the copy of the registration, signed “Timothy O’Leery, Sheriff.”

“Good luck! An’ shoot straight, if you have to!” O’Leery told Marty as he shook his hand. “Glad to see you back in Ohio! We’ll have to get together sometime an’ swap tales, all right with you?”

Marty replied, “I’d like that very much!” He turned and left the Sheriff’s office and
walked back to the Hotel, where he met Louisa in the lobby as she inquired, “Where have you
been?” He answered, “Tell you when we get back in our room!”

Once they were in their room, Marty related the entire story concerning how the local Sheriff was an acquaintance out in California, and had also known Jack Lord, who had taught Marty and his brother, John, how to handle weapons, had told him about the two “Highwaymen” who had been robbing local folks in large carriages and surreys. He told Louisa that O’Leery thought Marty might run into the pair, since he’d be living far out in the countryside, and having known Marty’s reputation out in California, felt that he would be able to handle any situation
that might arise. For once, Louisa had nothing to say in that regard, because she knew deep in her heart, that no more violence could happen to them. Nothing was further from the truth in that concern!

INDEPENDENCE DAY SUPPER, FIREWORKS AND HIGHWAYMEN.

On Friday, Francois Pinaud, the owner of Pinaud’s Winery a few miles out of Cincinnati, arrived at the Hotel in the winery’s carriage and helped Marty and one of the Bellmen and the Doorman load all their trunks and luggage in the carriage’s spacious boot. Marty tipped the Bell-man and Doorman handsomely for their efforts. Mister Cousey, the Hotel Manager, came out and wished them well at Pinaud’s Winery, and asked them to return to the Hotel from time-to-time, where they would be treated royally. The Maitre’d, Pierre Renaud, who had first taken Marty and Louisa to meet Monsieur Pinaud the previous Sunday, and had been a boyhood friend of Louisa’s Papa and had known her when she was but a baby, said his goodbyes to them. But he told them he would see them on his visits to the Winery to purchase wines and cordials to supply the Hotel’s wine cellar. Louisa and Marty bade all their new-found friends farewell, climbed into the carriage, and with Francois a t the reins, they were off to begin an entirely new experience in the wine-making business.

Francois took them out to his winery over the very same roads that Pierre had taken them the Sunday before on their very first visit. Francois had provided them a small cottage in which to stay, which would be their “First New Home” for the duration of their stay at the winery. When they arrived at the winery, Francois helped Marty unload their trunks and other luggage,while it was Louisa’s responsibility to see that all their garments were properly hung in the closets provided, as well as try out the various kitchen implements she would be using during their stay. Once all their trunks were unloaded and they were somewhat settled in, Francois asked them to accompany him around the vineyard so they could see for themselves the different types of grapes he produced, and the various wine vintages produced from those grapes.

Through the remainder of the month of May and through June, Francois, Marty and the crew of Vinegres, French for “Vineyard Workers,” harvested specific blocks of grapes that were crushed then placed in certain casks to allow them to ferment to alcohol to produce special wines for which Pinaud’s winery was noted in the region. On the last day in June, Francois approached Marty and Louisa in their little cottage and told them that the three of them had been invited to a special “Independence Day Supper With Fireworks” at Nicholas Longworth’s vineyard and winery on July 4th.

Francois said to them, “Mon amis, I hope you don’t mind, but I have already accepted the invitation on your behalf, as well as my own! I have always wanted an opportunity to meet the man who began the wine industry in this region, some thirty years ago, so I accepted his invitation and included both of you, tres certainement! Most certainly!”

“Sounds like a great idea to me!” Marty exclaimed. “I’d very much like to meet Mister Longworth, since I’ve heard different members o’ the crew mention his name in passin’ many number o’ times!”

“Me too!” Louisa exclaimed. “Sounds real exciting to me! And to see fireworks as well!”

Francois exclaimed to them, “Then it is all decided! We will go in my carriage, which you, Louisa will have all to yourself, since I want Marty to be in the driver’s seat with me!”

“Why is that, Francois?” Marty asked him. “You must have a specific reason in mind, since usually, you want us both to ride inside the carriage whenever we go somewhere!!”

“Yes, I do!” Francois replied. “Though I often put it off as rumor, several of my friends were robbed at gunpoint by “Road Agents” a few weeks ago! I contacted Sheriff O’Leery, and he confirmed my questions. Imagine my surprise when he told me he had known you quite well out in California, and then he said to me, “Have him ride up front with you, and follow any direct- ions Marty gives you, for your own good! With a weapon, ‘specially a pistol. Marty does not miss! Good luck on the road on Independence Day! Tell Marty, ‘Happy Huntin’!"

“Well, I’ll be danged!” Marty exclaimed loudly. “So, O’Leery told you all about my exploits out in California, eh? Hope he didn’t get too gory with the details!”

“Nothing of the sort, mon amis! Francois replied. “I will feel much better having you both along with me when we go to Nicholas Longworth’s!"

July Fourth, Independence Day was a bright, sunny day, but in the very early morning, it did not look like the day would begin as well as it did. A hazy fog hung over the Ohio River, a short distance away and began to spread further away from the River proper. But once the sun was up, the haze and fog soon disappeared and the day became one in which the Holiday could be enjoyed because of the fine weather. Both Francois and Marty were early risers, and early in the morning, both of them were in the wine vaults taking care of some last minute tests that had to be made with some of the new-made wine recently assigned to their respective casks. Once those tests were completed, and both were satisfied the wine was fermenting in a proper fashion, both men returned to Louisa’s and Marty’s cottage, where breakfast awaited them.

After breakfast, Francois and Marty gathered the harvest crew together. Most of the crew were experienced French Vinigres, but there were quite a few experienced Germans in the crew, as well. There was one German, who had worked for Nicholas Longworth for quite a few years, but when Francois had started his vineyard and winery, began working for him; the man’s name was Herman Lister. Herman was the “Crew Chief under” Marty, and took all his orders from him, unless orders came directly from Francois; which rarely occurred.

When all the crew had gathered around, Francois told the group that all their orders for that day would be given by Herman, since he and Marty would be gone from mid-afternoon on ‘til whenever they returned. They had both been invited to Nicholas Longworth’s vineyard and winery for a July Fourth party and they had accepted. Herman asked Francois to convey his best regards to Mister Longworth, and Francois indicated he would The crew returned to harvesting the grapes and Francois and Marty entered the vaults to check the progress of other vintages in various stages of fermentation. They were engaged in this fashion until lunch time, at which time, both men returned to Marty’s and Louisa’s cottage and sat down to a good lunch she had prepared.

By two o’clock P. M., they were ready to depart in Francois’ carriage, in which they had packed two cases of wine of different vintages for the enjoyment of the other guests. The two vintages were a case of Marechal Foch, and a case of one of Francois’ favorite creations named Clarice, after Francois’ late wife. As had previously been agreed upon, Louisa rode by herself inside the carriage, while Marty sat alongside Francois, who occupied the driver’s seat.

Francois’ vineyards and winery were about an hour’s carriage ride from Longworth’s property, which was situated on the down-side of East Sixth Street outside of Cincinnati proper, on the road to Observatory Hill (1:158). The terraced vineyards swept down a gradual slope to the Ohio River, and it and other vineyards that consisted of thousands of acres, stretched up from the banks of the Ohio River, that were covered with luxuriant and profitable vineyards that rivaled in profusion and beauty the vine-clad hills of Italy and France. The oldest vineyard in Hamilton County were Nicholas Longworth’s plantings, which he subsequently increased to two hundred acres.

The route they traveled took them around the main portion of the City of Cincinnati, and the road upon which they traveled was mainly still in the countryside. Ahead of them, and off to their right, they were able to see “Observatory Hill” in the distance and they knew they were getting close to Longworth’s property. They had covered less than a mile, when they saw a street sign that read “Sixth Street,” and was accompanied by a second sign that read, “Longworth’s Vineyard and Winery;” with an arrow that pointed to the right. Francois turned the carriage and traveled only a short distance, when the road forked, the one to the left obviously traveled up “Observatory Hill,” while the one to the right had another sign that read “Longworth’s Vineyards and Winery,” with a large arrow that pointed to the right. They traveled along the Winery Drive, as on their left, they saw a rather large, rounded hill covered with trees. All of a sudden, Marty shook his head. Had he been seeing things? He thought to himself, that he was sure he had seen two sets of legs running on the other side of the hill and he looked more closely. Yes! There they were again, but the bodies were obscured by the trees! Suddenly, he saw a bright flash of light! What could the that be, he asked himself? He thought back a few minutes, then it came to him. He remembered the trip across the prairies, and whenever Jack Lord wanted to see some- thing distant, he used his spyglass which often flashed a bright light on contact with sunlight.

He mused to himself, “Now who would have a spyglass to observe other people’s doings and travels? Wonder if those’re the road agents O’Leery told me about? Might be! Best to keep this to myself for the time being and tackle the problem, if there is one, when we leave Longworth’s tonight!"


Visit next week as we unvail what happens next!

Friday, May 18, 2007

Review of “Seussical"

"Seussical”: From One Audience Members Perspective

The Cerro Coso theatre department recently ran a three day production of “Seussical, A Dr. Seuss Musical” directed by faculty member Melinda Fogle-Oliver. The musical featured music by Stephen Flaherty, lyrics by Lynn Ahrens, book by Lynn Ahrens and Stephen Flaherty. The musical was co-conceived by Lynn Ahrens, Stephen Flaherty and Eric Idle and was based on the works of Dr. Seuss.

I enjoyed the musical immensely, but I would definitely say that my 4 year old son found it to be far more magical. By the end of the performance he was literally dancing in his seat along with the performers as the show closed. To me that says something about the power of a performance if it can hold the attention of a child that young and keep them enchanted throughout - and he was captivated the entire 2 hours of the show!

We were transported to the mythical world of Seuss, through the Jungle of Nool, and the microscopic world of Whoville. It was a whimsical, fantastical, hysterical, and magical venture through the imagination of Seuss where elephants talk and kangaroos sing. Led by the Cat in the Hat, we met some of our favorite Seuss characters including Horton the Elephant, The Grinch, Lazie Mayzie, Gertrude McFuzz, and all the Whos of Whoville. The classical tales were seamlessly woven together in a tapestry of color and energetic music.

The set design was simple, with a tile floor of cream and teal large squares and two large backdrops painted with Seuss-style art scenes. All of the props used fit with the Seuss style of objects and art. I thought that the costumes were done cleverly since several of the actors/actresses played multiple parts. Their face paint was done in a whimsical manner, stylistically reminiscent of Seuss, but in a way that made them able to go from one costume to another and look good in any outfit. I found it amusing that the stage hands had numbers on them, and I believe that was a reference to the numbers on some of the Dr. Seuss characters from his stories.

I thought the entire cast performed wonderfully but a few of the stand outs in my opinion were; Gertrude (Brittany Candra Throckmorton), Horton the Elephant (Savanah Liska), and JoJo (Becki Cornett). These three ladies have wonderful voices but beyond that they really exude the personalities of their characters and are very emotive in their actions and their facial expressions. You connect with them and therefore connect with their characters and find yourself moved by them. An excellent performance by them all.

The primary themes of the musical were to be aware of “How Lucky You Are” and that “a person’s a person, no matter how small.” The first focused on the idea that no matter how difficult things may get it is important to know that they can always get worse. Count your blessings and know that everything will be okay. The production team was successful in doing this because it was very touching at parts of the story and it made me think about how lucky I am. I shouldn't stress out so much about little things and remember to hang on to the friends and family I have. The second focused on the concept that everyone has value, no matter how small they are, what they look like, or what they do. I found this theme very endearing, especially when Horton the Elephant was singing to the little tiny Who’s that they were important, no matter how small they were. I was very impressed with this production.

The production itself, as mentioned earlier, is a musical that is a combination of some of the Dr. Seuss stories. We meet Horton the Elephant who hears a Who and ends up in a tree sitting on Mayzie’s egg, JoJo the Who that gets in trouble for thinking too much but whose thinking saves the day, and Gertrude, the bird with the one feather tail who tries to get Horton’s attention by taking some pills to grow a fancy tail, but then can’t fly because her tail grows so long! We see the Grinch, Yertle the Turtle, a Sour Kangaroo, Cindy Lou Who, and a variety of other characters that made the evening a hoot. I felt the story was a wonderful blend of the original Seuss books, and I enjoyed the songs very much.

I found the production to be whimsical and energetic. I also found it to be moving and the story of Horton and the Who’s in particular very compassionate. The music was lively and made you want to sing along. As evidenced by my 4 year old, it also made you want to get up and dance along with the characters. I was happy to see that in the end Horton found the Who’s and that he wasn’t the only one who heard them anymore; that Gertrude finally got Horton to notice her; that JoJo saved the day and the Who’s realized that thinking wasn’t such a bad thing after all. It was definitely a journey I, and I’m sure my son, will not soon forget!

More Seussical Photos

Saturday, April 28, 2007

"Met" Minutes

Hello again everybody! I've been slacking on the updates, I know, but there really hasn't been much going on to speak of. Last week's meeting didn't happen, so nothing to discuss last week.

That means twice as much for this week, though. First, we're a little behind schedule, so we're making ourselves focus on getting some of the loose ends tied up. This coming Thursday, we are all going to sit down together in the same room and discuss all of the artwork to get a final consensus, and begin milling through the 211 pages of literature submissions.

Gary managed to find a printer that has given us a great price for the journal. Last year, we recieved 500 copies for $3200. This year, it looks like we're going to be able to print 1000 of essentially the same journal for $1800. Our funding is still not quite there, but we're way closer to $1800 than we are to $3200!! I actually have in my possession about $1200, and I believe Angela has another $500, so we should be able to pull this off.

So, it looks like we're going to be able to sell this and print whatever we want. Good to know that hard work actually does pay off once in a while!

Friday, April 20, 2007

Review of Romeo and Juliet at A Noise Within

The Children of an Idle Brain
A Review of Romeo and Juliet at A Noise Within
234 S. Brand Blvd., Glendale, CA. 91204
Date: 25 March 2007

The theatre A Noise Within may not seem like a grand structure among the neighboring shopping malls, office buildings, and restaurants. However, this old Masonic temple holds more grandeur within its near century old walls than does its contemporary neighbors. It is in this aging temple/teenage theatre that a nearly full house awaits on pins and needles to partake of the story of star-crossed lovers, blood feuds, and death that is Shakespeare’s Romeo and Juliet.

Director Michael Murray does an awe-inspiring job conveying the comedy, romance, and tragedy of this Shakespearean classic, with the help of a cast of very talented actors of course. All of the actors in Murray’s production of Romeo and Juliet do a splendid job with their character/characters, but there are two players that—in this reviewer’s opinion—steal the show.

J. Todd Adams’ portrayal of Romeo’s fearless, garrulous friend Mercutio is one of the outstanding performances that stole the show, and audience attention—despite his minute break of character when a bulb blew in one of the overhead spotlights. For instance, Adams’ energy and conviction when delivering Mercutio’s throaty Queen Mab oration is unabashedly mind blowing—proving that we all suffer from “the children of an idle brain” (1.4.97). Also, when Mercutio is slain by Ken Merckx’s fiery Tybalt; Adams’ raging sincerity—“A plague o’ both your houses” (3.1.90)!—brought forth tears to some of the audience members eyes—including mine own. Not to mention, that after Mercutio’s tragic death Adams sprung into action with a fire extinguisher when a couch fire broke out in the alley behind the theatre. A fact none of the audience was privy to until after the show was over.

The other scene thief in Murray’s production is the bawdy Nurse, played brilliantly by accomplished actress Deborah Strang. Strang’s portrayal of Juliet’s robust and bawdy nurse commanded the audience’s attention and at times laughter in every scene that dared to contain her—which is quite often. For instance, the point in act two scene four when Adams’ Mercutio playfully accosts Strang’s Nurse left the whole audience in stitches. Most notably when the Nurse beats Michael Thompson’s Peter with her handbag for letting Mercutio use the Nurse “at his pleasure” (2.4.153)—hilarious!

Murray’s production of Romeo and Juliet—Murray has set scene in 1930’s Italy with Tybalt as a Nazi SS officer—is a robust display of gut wrenching comedy and melancholy tragedy. The fight scenes—choreographed by Ken Merckx—are breathtakingly daring. Most notably the initial fray that begins the play, which finds the small stage filled to the brim with action. The first half is exciting, energetic, and comical; while the tragic second half is rightly slower than the hilarious first half of the play. The continued great performance of Mark Bramhall as Friar Laurence is a definite high point of the play’s second half. Although I wasn’t overly impressed with Steve Coombs’ Romeo—Coombs flubbed a couple lines—or Joy Osmanski’s Juliet, the five hour round trip and fourteen dollar admission fee are well worth the experience of seeing a live production of a Shakespeare classic.

Overall, Murray’s production of Romeo and Juliet is a joy to behold, with the modest stage used to its fullest potential and 1930’s costumes—courtesy of Denitsa Bliznakova—are lavish, especially those worn during the masque. A Noise Within will be featuring Murray’s production of Shakespeare’s Romeo and Juliet from March 24 thru May 25. So, grab a friend, loved one, classmate, stranger, or just lone wolf it and go have an awesome theatre experience at A Noise Within, you will not be disappointed.

Work Cited

Shakespeare, William. Romeo and Juliet. The Complete Works of Shakespeare: Shakespeare’s Tragedies, 5th Edition. Ed. David Bevington. New York, NY: Pearson/Longman, 2007. 1009-1050.

Sunday, April 15, 2007

Romeo and Juliet at A Noise Within

Sunday, March 25, my English 235 Shakespeare class and I took a big white van down south to Glendale to see Romeo and Juliet at A Noise Within. For many of my students, this was a first time experience with live Shakespeare (for some, live drama altogether), and so this was a particularly special event.


A Noise Within is located in an old converted Masonic Temple Building in downtown Glendale and is the only theater company in Southern California working in the repertory tradition. The company produces six plays annually and has won numerous awards including twenty-five (yes, twenty-five!) Los Angeles Drama Critics’ Circle awards. Not surprisingly, their production of Romeo and Juliet, lived up to their pedigree.

Please check back here in the near future for student reviews of the performance.

Sunday, April 08, 2007

Little Quiet in Here...

Just dropping in to let everyone know what's been going on with Met over spring break.

Angela and I have been contacting local businesses, friends, family, everyone for donations. We have had some luck-- weve raised around $800. Although this is nowhere near our main goal of $3500, I don't think it's unreasonable to expect to have the $1500 for the binding and everything.

I was really hoping to be able to raise the full amount; I would absolutely love to see this project become independant, and would also love to be a part of it's becoming independant. It almost seems as though all this work will have been for nothing if we don't get the full amount, if we have to do all of this again next year and still not be able to sell it or publish everyone's work in it. But, we're trying, and that's all we can do.

I have high hopes for the upcoming Art Show. The Art Association has added Cerro Coso to the list of gelleries on the Studio Tour this year, and we're expecting around 300 people to come through. I figure if I can get ten dollars from each person, we're set! But how? I've had fleeting thoughts of raffles and such, and have a few businesses that are willing to donate gift certificates for one, but theres two problems: one; I have to work all weekend and will be unable to be there the whole time, and two; we're too strapped for time to be able to plan and coordinate anything that's more than my own personal project. I have to talk to a few people still and get all the details ironed out, but I think I'm going to try it still. If anyone can help or has any ideas, let me know. (please!) The art show is April 21st and 22nd, and will feature all student work in various mediums. Stop by and see my work! And donate to Met!

Friday, March 23, 2007

"Met" Minutes

Well, we have now scored all art submssions for the upcoming edition of Metamorphoses and are at the beginnig of the Great Debate-- that is, deciding which pieces will make it into the publication. We have some great work for review. Dani has set up some discussion forums and I think we are all anxious to jump in.

Or main problem still remains: funding. We were given a smaller amount of funding this year than in years past, and from a different source. While we appreciate the funding we have, there are several strict limitations it brings with it.

While we have been accepting submissions from anyone interested, as it stands, we are limited to publishing only those submitted by students and alumni. There are some great student pieces; definitely enough to make a great edition, but we have recieved worldwide attention from some amazing artists and it would be a shame not to be able to publish the stuff we have recieved.
Last year, we were able to publish with a perfect binding and a color cover. With the funding we currently have, however, we will be limited to a staple binding and probably no color. This is such a huge step back from the last edition. The 2006 edition was a beautiful, proffessional, well-recieved publication. We had hopes of making at least one small improvement to each edition, but it looks like we will be taking two steps back instead.

So, the only thing we can think to do at this point is fundraise. We have turned to local businesses, friends, and family, in the hopes that they will see the worthiness of supporting a Kern River Valley Cerro Coso project that has come this far. If we can raise the difference between our current funding and last years, we can at least get the perfect binding and perhaps some color. We have been unable to sell the edition in previous years due to funding stipulations, but if we can raise the entire amount and be a self-supported project, we can not only publish the submissions we have recieved from non-students but also sell the publication, which would feed into next years funding.
So, if you or anyone you know is interested in seeing this project succeed, contact one of the editors at Cerro Coso or email Gary or I at met.editor@yahoo.com

Remember, our goal is $3500, and we may not have time to raise the entire amount, but every dollar helps and if it doesnt go toward the 2007 edition of Metamorphoses, it will go to the 2008 edition.
Thank you all for you support! Hope you have a great week!

Friday, March 16, 2007

Eurydice: The Unmourned Mother

One of the most compelling characters in the play, Antigone, is unfortunately the least mentioned. Eurydice, the wife of Creon and mother of Haemon, suffers this fate. Upon learning of her sons’ death, Eurydice, despairing and struck with grief, takes her own life. This is the only mention of her throughout the entire play! As a direct result of her insignificant role in the play, the reader is left with no remorse for a mother who deserves no less. It seems to be a transgression against the soul to allow one’s mother to go unmourned, yet this is the effect that the author has created. The reader is left to ponder and expand upon the life of Eurydice in the story of Antigone. One may even inquire as to what impact her death can have on the reader and how this can transform the story if her character is further defined. Step into the world of Antigone to perceive for yourself the true essence of Eurydice and why it is imperative for her character to be extraneous.

One could argue that Sophocles intentionally down-plays Eurydice’s character as a result of the fact that women possess little to no influence in Greece at this time. However, if chauvinism is the rationale, then the play itself would not be named after Antigone either. Taking a second look, the reader can plainly see that Antigone, a woman, is pivotal to this play, thereby ruling out the approach of sexism as a line of reasoning. The truth may lie closer to the reality that a central character already exists, and that Eurydice is a character with the potential to steal the spotlight away from that main character.

If the reader looks carefully, he or she might see that although Antigone is a chief character, that Creon is a main character of this play as well. When taking this into consideration, one can see that Eurydice’s role should in-fact remain small. If Eurydice’s part is magnified, perhaps Creon and Antigone would no longer be the two main characters. If truth be told, some readers begin to get frustrated with Antigone and Creon because of their blatant stubbornness. This frustration may entice a reader to relate better with Eurydice in her position as the loving mother. Consequently, this switch in central character(s) could completely jeopardize the entire story line of the play.

When Eurydice says, “sorrow and I are hardly strangers,” the reader very nearly begins to pity and bond with the character of Eurydice (l. 1312). For a mother to listen to the story of her own son’s demise must have been horrible! One can only sympathize with poor, unknown Eurydice at this time. However, in the very next moment, she is gone, providing no time for the reader to become too attached. This was a bold stroke of the pen by Sophocles who could have just as easily left Eurydice out of the play entirely. Instead, Sophocles chooses to give the reader just a taste of compassion for a woman we can never know. What little we do know about Eurydice resonates in this reader long after the play is done.

So, why did Sophocles choose not to tell us more about Eurydice and why is that so important? He chooses not to tell us more about her because Eurydice needs a story of her own. Eurydice is a character that is not easily described or summed up in just a few sentences; therefore, it would be impossible to get too involved in her character in this play. Her character is one with honor, love and commitment to her family—what more could a reader ask for in a heroine? However, in Antigone, we already have a main character or “heroine” if you will. Eurydice’s story is best left to her own tragic play.

Again I say—it seems to be a transgression against the soul to allow one’s mother to go unmourned—yet in this instance, one must see that it is essential. Just imagine a play solely about Eurydice; about her struggle with Creon through all of this; about the mother in her, aching to help her son. Then see her “loosing the bolts, [and] opening the doors / to appeal to queen Athena” in prayer (ll. 1306-1307). She hears commotion outside and runs to see what has happened. She asks her people to “[t]ell me the news, again… [for] sorrow and I are hardly strangers” (ll. 1311-1312). Then, just as one falls in love with her character, she takes her life. Would any reader not feel overwhelming compassion for her now? Now, of course, I must ask: would this not steal the main character positions away from Creon and Antigone? Of course it would and that is why it is absolutely necessary for Eurydice’s part to remain insignificant.
Works Cited

Sophocles. Antigone. Trans. Robert Fagles. Schilb and Clifford. 733-771.
Schilb, John and John Clifford, eds. Making Arguments about Literature: A Compact Guide and Anthology. Boston: Bedford/St. Martin’s, 2005.

Thursday, March 01, 2007

"Met" Minutes

Good evening!!

I haven't had time to post this week, but we have some very important updates.

We have reached that time of year when we will begin reviewing submissions for the 2007 edition of Metamorphoses. As of midnight last night (February 28, 2007) We are no longer accepting submissions for this particular issue, and hopefully this coming Tuesday we will have them edited to a workable format to begin reviewing.

As with all growing and developing projects, we generally hope to make at least one improvement to this publication every issue. Unfortunately, due to some funding conflicts, it looks like not only are we not going to be able to improve, but me may very possibly have to take a step back. We are, as a group, very dissapointed, but are not discouraged. It looks like we are, in fact, funded, so that's one issue down. We hope to have these conflicts settled in time to make some improvements to the next issue. We may have to print in house this year, which means the binding will be of a lesser quality than was last year's, and we are also being limited to student, faculty, and alumn submissions.

However, so far this year, we have had a lot of online activity and support and are considering online publication of the some of the great art and literary work that we have recieved from all over the world. Hopefully we will have some more good news to share once we begin reviewing the work.

I have gotten the Myspace page up and running. I am still making changes to the general page setup and everything but you can go check it out. I posted one of my submissions as the photo, just to have something there, but if anyone has any pictures thay would like to have displayed on the page, email them to me or talk to me.

Thanks for reading and have a great week!

Friday, February 23, 2007

More Whiskey Flat Days Fun

Yes, Whiskey Flat Days is a fun-filled weekend. However, there is tons of history behind this annual event. Kernville, California was first established during the Gold Rush days, but was known as the town of Whiskey Flat. Many miners were travelling through this region and a man by the name of Adam Hamilton saw this as a great business prospect. Hamilton set up a tent next to the Kern River and began selling whiskey to the prospecters that came through the valley. Next thing you know, Whiskey Flat was a town.


Some years later, a dam was built on the Kern River that created our own Lake Isabella. When this happened, the town of Whiskey Flat had to be relocated to a higher spot on the mountain. This is when the town became Kernville, as we know it today. As the Gold Rush dwindled down, people began to really settle into the town of Kernville. However, they were faced with a challenge: not many people wanted to travel all the way up here in the mountains. So, they decided to devise a plan that would bring tourists, and therefore more money into the town. Without tourism, the people knew that Kernville would not last.

The people agreed to have some kind of a celebration to attract people. According to The Kern Valley Sun, "Lloree Knowles, a local real estate broker, was the first to recommend that the community use a frontier-type celebration to try to bring more people into the Valley during the slack winter period." Then, Ardis Walker, a local historian and author, suggested the name "Whiskey Flat Days" because he thought that it would be a great way to showcase the town's historic past. The first Whiskey Flat Days kicked off in 1958 and has been growing ever since.

There you have it! The history of Whiskey Flat Days in Kernville, California.
As Candace said, there is so much to see here...and some GREAT artwork too.

But for me, the best part is that it offers fun for the whole family.

Sunday, February 18, 2007

Whiskey Flat Days

Hello again everyone! I hope everyone in the Kern River valley managed to make it up to Whiskey Flats and enjoy the festivities. I managed to make it for a few hours but didn't have much time to spend there. For those of you who are not from the area and are not familiar with the celebration, it is an annual event held in Kernvills to celebrate the history of the town. Vendors come from al over the United States to sell their goods; everything from home-made kettle corn to clothes and art. There are also events such as a shoot-out held in the park (following the western heritage of the town) and a carnival for the kids. I got a chance to speak to one of the vendors, Paul Harding, who comes to Kernville each year from San Jose, where he and his wife sell various goods, many hand-made. They have a great website; its definitely worth checking out. All of the pictures I have here are from their booth.
It seems like there are a dwindling number of good artists and good art each year. Maybe it's just me, or maybe I'm going on the wrong days, but I think the new restrictions put on sellable goods by the Chamber of Commerce has something to do with it. A few years ago, there were two different booths that sold original paintings that were remarkable, and all I saw this year were prints. Maybe I just missed them. I do miss some of the good stuff because I always have to work all weekend. Hopefully some year I'll make it to the carnival, or catch some of the live music at Riverside Park.

Friday, February 16, 2007

"Met" Minutes

Hello, everyone! Just a little update on the progress of our Metamorphoses project. We had another (slightly condensed!) meeting yesterday, and we have some issues we need to work out fairly last minute for this project. Were having a little issue with funding, and Gary is going to have to scramble This weekend to put together the necessary paperwork to show that Met is a vocational project. Hopefully Dani's ideas will help him! We're all thinking of Gary this weekend.

We also are having a problem figuring out what to do with the printing. We are being encouraged to print in-house, which would be a little bit of a step down for the project. One of the goals of Met is to improve a little bit each year; one idea for this issue is to print the art pieces in color if funding allows. So we also have to convince someone that it is necessary to print out of house.
We did have some good news, on top of all the little details that need to be ironed out: The submissions are rolling in and some of our favorite contributors are signing up. Thanks for your involvement, guys!

Whiskey Flats weekend has arrived. I will be heading up there tomorrow and hoping it is a good year for the arts and crafts vendors. I'll take my camera just in case, and if I find anything interesting I'll definitely let you all know.
Have fun this weekend and drive safe!

Thursday, February 08, 2007

A few words from Aeron Hicks

The following is a letter that the Metamorphoses editors received from a Cerro Coso alumnus and poetry contributor to the premier 1989 issue. Since the writing of this letter, Aeron has agreed to serve as an alumnus editor of the upcoming 2007 issue of Metamorphoses.

February 01, 2007

Good morning!

I was viewing recent editions of Metamorphoses on the Cerro Coso website this morning, and noted my poem, "Metamorphosis" [1989 premier issue], among the assorted poems, stories, photos, and other works of art. What a joy it is for me to see; First, that Metamorphoses has continued; And, second, that my poem still inspires.

I remember the day my friend, Julia, and I approached Carol Hewer, our then English professor, about the idea of a literary magazine. How I hoped that our first effort would serve as a vehicle for students and others to express their voices – then and now.

The "Metamorphosis" poem, coupled with the drawing that served as cover art that year, hangs in my office and in my home as a testament to life and as an inspiration. Writing the poem was a turning point in my life; it was and is the hallmark of two years of deep reflection and growth – much of which took place in the classrooms and halls of Cerro Coso Community College. Challenged and lit afire, I rose from the testing of my wings… ready to fly.

I think of Carol Hewer, Dr. Maddox, Dr. Rosenberg, Leo Girardot, Dr. Leo, Morris Scharff, and many other professors and instructors who helped me build a strong foundation for future academics… and for life. I will always love Cerro Coso and remember that squared-off drive into campus…and the roadrunners and bunny-rabbits who attended me as I arrived every morning, ready for a new day, full of questions and the energy of seeking. I remember Santiago Vaca and the red walls (at least for one semester!) of the art gallery upstairs, the Library and the classroom across the hall where I "taught" my tutoring group in psychology… I even remember the cafeteria and that expansive view out the back bank of doors and windows, and the outdoor area outside the classroom where I first conquered math (bless you, Sally!). My memories enrich and fill me with renewing hope.

I send my best to you and to the students who bring their dreams to their experience at Cerro Coso.

With appreciation,

Aeron Hicks
Crossfield Consulting
crossfieldenterprises.com

Saturday, February 03, 2007

"Met" Minutes

We have some new additions to our list of Metamorphoses officers. Our official list is comprised of: Aeron Hicks (alum), Angela Looper, Candace Hawkins, Dani Draig, Josh Simpkins, Kevin Howe (alum), Pati Ruotsala, Serenity Flash, and Gary Enns. Welcome to everyone!
If you have anything to contribute to the blog effort, please feel free to contact me. I have already recieved one great letter from one of our alumn officers, Aeron, that will be viewable here shortly.
I would like to see some discussion on here, so if any of you would like to talk about anything literary, please do! I know a few of you are taking Shakespeare this semester, and I would love to hear how you like it so far! I was unable to take the class, but I do love Shakespeare and I hope Gary will continue to offer this course so that I might be able to take it in the future. Of the works Ive had the pleasure to read, I still enjoyed "A Midsummer Nights Dream" the most.
We are reading Frankenstein in my class right now and I am enjoying it! Im trying not to run too far ahead but Gary has only assigned us 20 pages per week so far and Im anxious to just read it!
Gary has informed me that all of the Met editors have been invited to participate in this blog, so theres no excuse not to!

Thursday, February 01, 2007

"Met" Minutes

Hi, my name is Candace. I am one of the editors of the new Metamorphoses club and will be checking in periodically to post updates on the success of our local literary journal.
We had our first meeting today. Our current members include Gary Enns, of course, myself, Angela, Pati, Serenity, Josh, and Dani. Our goals are beginning to develop for the success of Met 2007, and we hope to encourage the involvement of more of the members in our community, as well as everywhere else. We hope to receive more attention from the art community, as Met has not received many art submissions in the past. We hope to receive submissions from the students at Cerro Coso, as well as any and everyone else interested. We are working on developing ideas for advertising to help us reach out to possible contributors, and welcome feedback if anyone has any ideas or would like to be involved in any way.
Once again, I will be updating periodically, and encourage responses from everyone on the blog. Hopefully our other editors will be signed on soon and can also contribute. Thanks to Gary for involving me in Metamorphoses, and I will see you all again soon!